- List Of All Omnisphere 2. 5 Sounds Free
- List Of All Omnisphere 2. 5 Sounds 2
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118 Patches / 24 new SoundSources (including Brass!) and 14 Multiple MIDI Channel Multis give you a powerful set of songwriting Mega Patches created by listening to popular songs from the 70’s until today and creating not just a single sound but virtually all of the instruments required to write music in one of a number different genres (POP, EDM, 80s Pop, 90s Pop, Trance and Trap). Notably, the 2.6 update takes Eric’s classic sound design work from the original 1987 Roland D-50 into completely new sonic territory with Omnisphere’s vast synthesis capabilities. Best of all, the new sounds are available for ALL users, regardless of using the hardware or not! Like the competing Cakewalk’s Rapture before it, Omnisphere 2 also offers a large variety of DSP waveforms for native synthesis (the Spectrasonics manual says Omnisphere 2 added over 400 new ones) with extensive modulation support, but Omnisphere 2 makes it much faster and easier to find and load the sounds you like and organize your library.
Berlin, Germany - May 3, 2018 — At Superbooth, Spectrasonics announced a major update of it’s flagship software synthesizer Omnisphere®. With the new version 2.5, Omnisphere becomes the first software synth in the world to offer a Hardware Synth Integration feature, which transforms well-known hardware synthesizers into extensive hands-on controllers for unlocking Omnisphere’s newly expanded synthesis capabilities. Simply put, this new feature makes using Omnisphere feel just like using a hardware synth!
Hardware Synth Integration
The innovative new feature bridges the physical experience gap between software and hardware, allowing users intuitive control and the ability to easily create/modify Omnisphere sounds by using the familiar layout of their supported hardware synth with minimal setup. The initial release will officially support over 20 popular hardware synthesizers from Moog®, Dave Smith Instruments®, Roland®, Korg®, Behringer®, Novation®, Sequential® and more to come. The supported hardware synths cover a wide range of types and price ranges for different types of users.
On the technical side, the new Hardware Synth Integration feature in v2.5 goes far beyond the typical “MIDI Learn” approaches that most software synthesizers employ. Under the hood, Spectrasonics development team has carefully designed unique “Hardware Profiles” for each supported hardware synthesizer, to make the special features of that hardware work seamlessly with Omnisphere by translating MIDI messages from the hardware into satisfying sonic results in Omnisphere. This new system allows Spectrasonics to enable sophisticated interactions from a single touch of a knob, including the ability for Omnisphere to automatically recall entire FX racks, assign multiple scaled parameters and even instantly create complex modulation matrix routings on-the-fly. The new development system also allows Spectrasonics to add new profiles for new hardware synths in the future. Most importantly, it’s easy for musicians to use - simply by selecting the hardware synth from the drop-down HW menu!
Expanded Synthesis Capabilities
The new version 2.5 vastly expands the synthesis capabilities of Omnisphere by doubling Omnisphere’s voice architecture to Four Layers per patch! Each patch can now utilize up to 12 envelopes, 8 LFOs and the Modulation Matrix has been doubled to 48 modulation routings. Newly designed State Variable Filters are included, which were specially created for the OB-6 hardware profile and can seamlessly blend between lowpass, notch and hipass filter modes. Over 50 New “Analog” Oscillator Wavetables are included and featured in the new hardware profiles.
New Hardware Sound Library
Omnisphere 2.5 includes a new “Hardware Library” with hundreds of new patches created by Eric Persing and the renowned Spectrasonics Sound Development team using the Hardware Synth Integration feature. Each hardware profile has a corresponding set of sounds in the Hardware Library which were specially designed using that hardware synth as an Omnisphere controller. The new sounds feature a wide range of categories and many have a distinctly ‘classic analog’ flavor! Best of all, the new sounds are available for ALL users, regardless of if they use hardware or not!
“Since the beginning of computer-based music, the biggest limitation of software synthesizers has been the lack of physical interaction. It’s hard to beat the immediacy of a physical synthesizer that you can touch! We are very excited to be able to finally eliminate that problem by utilizing the world’s finest hardware synthesizers to fully control Omnisphere.” said Eric Persing, Creative Director of Spectrasonics. “We’ve never felt that the worlds of software and hardware synths should be segregated into different ‘camps’. Our virtual instrument users can now experience the joy of the hardware synth workflow and hardware synth users can now fully expand their capabilities into the vast sonic world of Omnisphere!”
Omnisphere v2.5 features:
- Hardware Synth Integration!
- New Hardware Library adds hundreds of new patches for all users - Over 13,000 Sounds total now included
- Vastly Expanded Synthesis: Four Layers per patch, Doubled Mod Matrix, New State Variable Filters, 8 LFOs, 12 Envelopes
- FREE for all Omnisphere 2 users!
Hardware Synths supported include:
- Sequential Prophet 6
- DSI OB-6
- DSI Rev 2
- Moog Voyager
- Moog Little Phatty
- Moog Sub Phatty
- Moog Sub 37
- Moog Subsequent 37
- Korg Minilogue
- Roland System 8
- Roland System 1
- Roland SE-02
- Roland SH-01A
- Roland JP-08
- Roland JU-06
- Roland JX-03
- Roland VP-03
- Novation Bassstation II
- Novation Peak
- Behringer Deepmind
*complete list of new features and supported synths will be announced upon the official release in mid-Summer 2018.
Public Beta
The 2.5 update will initially be released in May 2018 as a Public Beta. All registered Omnisphere 2 users with Standard licenses are eligible to sign up to join the Public Beta test. Spectrasonics is encouraging end users to participate and provide feedback in the Public Beta test. The company says that users who give high quality testing/feedback reports in the Public Beta will be eligible to join the official Spectrasonics Beta Team for future products!
Eligible users can sign up for the 2.5 Public Beta program through their Spectrasonics User Account.
Pricing and Availability
Omnisphere 2.5 is a FREE update to all registered Omnisphere 2 users!
Public Beta starts in May
Official Release Mid-Summer
Web: https://www.spectrasonics.net
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This is not a complete description of all Omnisphere can do. If you want a complete review you better head over to the Sound on Sound website and make sure you read the manual! This is also just a very personal opinion on Omnisphere and the reasons why, for me, it's a great product.
Omnisphere is a rompler. There's an extremely large amount of sampled 'soundsources' available plus a very decent amount of modeled analog waveforms. All go through a subtractive synthesis engine that allows you to sculpt the sound to your liking. A big bunch of effects really put the icing on the cake. I'd don't think I'd buy these effects to mix with, but as a complement to the sound engine I think they're fine.
Omnisphere is not a sampler, meaning you can't use your own samples and create complicated keymaps, switches or round robin setups. I'm fine with that as I never use my own samples to create realistic instruments anyway. You can however import your samples and use them for granular synthesis and that I really love. You can create whole soundscapes from a short field recording or a sample from a record.
Usually I'm not a fan of multi timbral VST's. I'd rather open new instances on new tracks, because that way every instrument has it's own track in my DAW and I can easily sculpt the sound further with other plugins. Spectrasonics warns us that using multiple instances will cause extra overhead, so I was glad to find that setting up a multi in Omnisphere is really very easy. I'm having no trouble at all.
Omnisphere does one thing very well that not many VST's offer nowadays. I've always loved the sound of the Roland D-50 and Korg Wavestations. They offered kinda realistic recreations of real instruments, but really excelled at creating hybrid sounds: subtractive synthesis based on samples. Apart from Absynth I don't know any plugin that does this well, and in fact, Omnisphere does this a lot better, I think, because it's synthesis engine is so much simpler to use.
Omnisphere's huge sound library and synthesis engine becomes even more powerful if you have one of the supported hardware synths. My Nordlead has really gotten a new lease of life with Omnisphere. With the Nordlead acting as a fully integrated controller I'm tweaking away on sounds the Nordlead could never do. Software has suddenly become more hands-on then it has ever been for me.
Omnisphere is definitely the most expensive VST I have. It cost me more than many of the DAW's I've used. But the alternative to buying Omnisphere for me was not another VST. It was buying a hardware synth, because I really need that hands-on control to stay inspired. Suddenly, with the hardware integration and a Nordlead sitting next to me the price made sense. Great sonic possibilities, hands-on control, total recall from within the DAW, it's hard to beat.
If you have something like a Bassstation2 or a Miniloque and are looking for different sounds to complement these instruments Omnisphere is a unique proposition.
I do wish some user interface elements were just a little bigger. The ability to switch on or off layers, effects and the arpeggiator right from the main page is awesome, but why are these LED-like switches so damned tiny? The magnifying glasses that open the detailpages are also a bit too small to my liking. The whole interface of Omnisphere can be scaled, but only 1x will fit my 15' laptop so that does not help me much.
List Of All Omnisphere 2. 5 Sounds Free
There's one more thing: the arpeggiator is great. It's very flexible and, yes, it's also very easy to use. You can do old fashioned arpeggiated chords and basslines, but it's also possible to choose any of the percussive patches and use the arpeggiator as a stepsequencer to create beats. I've had lot's of fun with it.
List Of All Omnisphere 2. 5 Sounds 2
ps: I contacted support because Omnisphere was not storing my preferences. I was impressed by their quick, knowledgeable and friendly replies. It turned out the standalone application and Ableton Live were not running with the proper administrative rights on my system and they helped me set it up correctly.